Abdullah Awan ( AutoCadPro)

I love blogging and I want to make it as my my profession

add

Saturday, 30 June 2012

Justin bieber treats his fan to sing

Justin Bieber treats his fans to sing along his new song "Boyfriend" in "Tonight show with Jay Leno" in Calfornia

Justin bieber jay leno

Justin Bieber Jay Leno
Justin Bieber Jay leno

Justin Bieber in "tonight with Jay Leno"

The 18 years old surprised a host of his supporters waiting for it's glimpse of their idol outside "tonight show  with Jay Leno" Studio in Burbank, California. Justin pulled up studio van and was greeted by screams and chairs before he got out and started interacting with his delighted supporters.

Dan wrote on twitter: "We played acoustic for all the fans waiting outside the NBC gates. Great to see how much JB appreciates his fans. (sic)"

Justin Bieber in California

Following the impromptu performance, Justin entered the building and was interviewed by host Jay Leno just before playing his song "boyfriend" second time in one day. When he started singing the crowd went crazy and each and every person in the crowd enjoyed his brilliant singing.

Justin Bieber in Paris 

It's not the first time the 'Never Say Never' hitmaker has treated fans to a surprise performance.He sang "Boyfriend" in balcony of Paris, at his hotel Mexico earlier this month.

Justin Bieber created a traffic jam with his performance outside the universal music capital by singing to thousand of fans Blessed with megaphones and with Dan strumming with guitar at backside. (donot copy paste)



Tuesday, 26 June 2012

Justin Bieber, Usher Vie To Top Billboard Chart


Bieber's Believe enters charts just one week after his mentor's Looking 4 Myself, as Usher tells MTV News, 'We support each other.'

















For the past several years, Usher has been helping his protégé Justin Bieber become an international pop star. The pair have collaborated on songs and onstage, but now they are about to have their first battle — on the charts.
Usher's album, Looking 4 Myself, debuted on top of the Billboard albums chart, becoming his fourth #1 album after selling 128,000 copies in its first week. But now it's Bieber's turn: Just one week later, Bieber will be entering the charts with his third studio album, Believe and early predictions are expecting huge album sales.

According to Billboard, Believe is on course to sell between 410,000 and 440,000 units, which would make it the year's biggest debut to date.

Even though Bieber is on track to beat his mentor in sales, the R&B superstar isn't concerned.

Regarding whether he and Bieber speak about topping each other on the charts, Usher told MTV News, "Actually, we have not had that conversation. We try to calculate when we release so that we support each other. It's like a seesaw: 'You take it this week; I'll take it this week.' "

Usher also said that even though he and Bieber do not appear on each other's albums, he was still heavily involved in each song that made the cut on Believe.

"We talked about many different things when making his album. The coolest part about it is we support each other regardless if I'm on the album or he's on my album or not," Usher said. "Every album, it is that sit-down that we have to have, to go through this record. We talk about the audiences that are there: This song is for this audience member, this song is for this region. And that's always very helpful."

Bieber shared during "MTV First: Justin Bieber" that he still turns to Usher for sound advice.

"He's just giving me the advice of: Always keep the people that were there at the beginning and keep them with you, because those are the people that really care and they want to see you succeed."

Justin Bieber once kissed a dead fish

The Boyfriend hitmaker Justin Bieber - who is dating singer-and-actress Selena Gomez - admits snogging the deceased aquatic animal for a bet was the 'worst dare' he's ever done in his life.
When he is not busy kissing deceased animals, the 18-year-old singer has found time to tone his muscles in an attempt to improve his physical and mental strength.
He said, "The worst dare I ever did was kissing a fish. It was dead. It was pretty gross."
He added to We Love Pop magazine, "I also do pull-ups and chin-ups. I can do about 25 in a row. I do need to run more, I get tired easily."

Justin Bieber suffers concussion in Paris


PARIS: Canadian pop star Justin Bieber ran headlong into trouble on a European promotional tour on Thursday, knocking himself out backstage in Paris and dealing with a crushing crowd in Norway that left some fans injured one day earlier.     
Thursday’s incident occurred after the singer fell into a glass wall during an intimate concert in Paris. Bieber told celebrity news website TMZ.com he felt lightheaded but was able to perform his last song before going backstage and passing out for 15 seconds.
TMZ posted an audio clip of its conversation with the pop sensation in which he said doctors told him he suffered a concussion and ordered him to relax. The singer quickly posted on Twitter that he was doing well, joking about the incident and saying “gotta laugh at yourself sometimes.”
The concussion comes one day after Bieber, on a brief tour of major European cities to promote upcoming album “Believe,” was met with a crush of fans before a free concert in Oslo leading to reports of dozens of young girls being injured.
Bieber’s record label, Universal Music, said in a statement to celebrity site E! Online on Thursday that it “regrets strongly that some of those who were [at the] Justin concert had a bad experience.”
A label executive said “fortunately no one was seriously injured,” and added that Bieber wanted to return to Norway and perform a future concert there.
Calls and e-mails to Bieber’s representatives were not immediately returned.
Bieber performed a free, six-song concert at the Oslo Opera House on Wednesday that is planned to be featured on his upcoming one-hour NBC television special to be aired next month.
The 18-year-old singer was forced to tweet a safety message ahead of the show after police were unable to control the crowds of fans trying to catch a glimpse of the star.
“for the show to happen u must all listen to the police. we are all concerned for your safety and i want what is best for u. please listen,” Bieber posted to his 22 million Twitter followers on Wednesday.     TMZ said 49 young girls were injured and 14 taken to hospitals, and police came close to declaring a state of emergency in the capital. Those reports could not be immediately confirmed.
This is not the first time Bieber fever has caused crowd control and safety issues. In November 2009, fans stampeded a shopping mall in Long Island, New York ahead of an appearance by the pop star, forcing organizers to cancel the event.
Bieber’s manager was charged with reckless endangerment and criminal nuisance, but the charges were later dropped.

Justin Bieber Mocks Mariah Yeater With 'Borat' Video

Justin Bieber is conductin live shows aal arround hte world and he wants to conduct Concerts all arrownd the world 

Phelps to swim 400m medley at US trials

OMAHA: Michael Phelps dropped one veil on Sunday, confirming his entry in the 400m individual medley at the US Olympic swimming trials. Phelps, winner of the punishing event at the past two Olympics, had vowed after the 2008 Beijing Games that he wouldn’t swim it again in major competition. Even after his early entry in the event, he had indicated he might scratch. Instead, the deadline to pull out passed on Sunday with Phelps still slated for an intriguing match-up against Ryan Lochte in the first event of the eight-day meeting on Monday. If he qualifies to race the 400m medley in London,




Lochte settled for bronze in Beijing behind Phelps and Hungarian Laszlo Cseh, but claimed the world title in Shanghai last year ahead of teammate Tyler Clary. Phelps had been reconsidering his no-400 medley policy after some solid Grand Prix swims this season, and Lochte said he welcomed the chance to take on the Olympic superstar. “I love racing against him,” Lochte said. “He’s one of the hardest racers in the world. He’ll go toe-to-toe with you until the end. That’s excitement for me. I really hope he does swim that.” Phelps is entered in seven events at the eight-day trials, where the top two finishers in each event book an Olympic place. That raises the prospect he could vie for 10 medals in London, Phelps and coach Bob Bowman have been cagey about just which events he’ll swim and what his goals are for his last Olympics. Phelps said former US teammate Erik Vendt had likened his London campaign to putting the topping on an ice cream sundae. afp

Album songs 2012


Isn't it strange that the Bieber fever that has overtaken the world over the past two years actually hasn't come with a whole lot of new Justin Biebermusic? Since "My World 2.0" was released in March 2010, Bieber has toured the world, released a 3D movie, issued every piece of merchandise available (do YOU have your Justin Bieber trading cards handy?), and even scored two more No. 1 albums, first with a "Never Say Never" remix package, and then with a very solid holiday offering, "Under The Mistletoe."

Those latter two releases gave Bieber's rabid fans a quick fix and hinted at the pop superstar's newfound maturity, all while whetting appetites for "Believe," his highly anticipated new full-length. Unlike with artists such as Lady Gaga or Rihanna, the trajectory of Bieber's career has been based more on the 18-year-old as a person and brand more than a slew of hit singles -- "Baby" certainly seems like a long time ago, and we, as music fans, have gotten to learn everything imaginable about this good-looking Canadian kid before hearing its grown-up follow-up singles.

And so, "Believe" has arrived. It is a very enjoyable, dance-leaning pop record, but it is not the new Justin Timberlake album. And why should it be? Bieber is still just 18 years old and trying to find his musical lane while grappling with an unprecedented amount of attention. Because his growth in front of the camera has occurred so quickly and steadfastly, his music has been (unfairly) expected to do the same. "Believe" has multiple songs that hint at what Bieber could become someday -- "Fall" is a very capable ballad that scratches the surface of truly affecting songwriting; "Right Here" features Bieber being inspired by a rapper whose own mind has been freed, "Matrix"-style; and "Boyfriend" and "Die In Your Arms" remain undeniable singles, the former especially pushing the young singer into new stylistic territory.

Overall, "Believe" sinks its tendrils into the listener's brain by riding the dance music phenomenon and offering some whizz-bang production alongside Bieber's sticky-sweet singing voice. The lyrics are unfussy and at times too complacent in their rhymes, but the music powers the weaker moments through unnoticed. This is a pop record, and even if the flashes of poetic brilliance aren't there, the hooks very much are.

"Believe" does not offer any moments of transcendence, nor does it include a "Cry Me A River." And that's okay. Justin Bieber may not have crossed over into the fearless stomping grounds of the Timberlakes yet, but he may very well get there someday, and that's all we need to know for now.

Which songs on "Believe" are worth repeated listens? Check out our track-by-track breakdown of Bieber's latest.

  



01. All Around The World ft. Ludacris - Breathy vocals swirl around a beat that pierces the listener on first contact. Ludacris raps in double-time as the album's electronica obsession is immediately presented.



02. Boyfriend - One swaggy single to rule them all: Justin softly offers fondue recommendations and Buzz Lightyear metaphors on top of Mike Posner's loopy production. What shouldn't be one of the year's strongest singles most certainly is.

03. As Long As You Love Me ft. Big Sean - A massive yet somehow intimate dance track, with the drums almost reaching hair metal levels in their vibrations. The Biebs handles his business, but Big Sean's verse probably isn't necessary.

04. Catching Feelings - Flush with guitar and drums, "Catching Feelings" is a showcase for Bieber's blossoming voice to emote about butterflies in his stomach. "Could it be a possibility?/I'm tryin' to see what's up," he sings, the lines feeling like wind through the listener's hair.

05. Take You - Roboticized Euro-dance that sweeps through different tempos. After a "Hold It Against Me"-esque breakdown, the climax is cold and beautiful.

06. Right Here ft. Drake - Drizzy is right in line with Bieber's screwed-up, pit-in-your-stomach romantic feelings, and even throws out similarly constructed warbles and ad-libs. Two young stars brushing love letters off their shoulders.

07. Fall - According to manager Scooter Braun, "Fall" was inspired by the weepy romance "A Walk To Remember." Bieber tries to extract sorrow from the rumbling percussion, falling to his knees as layered vocals increase the melodrama.


Monday, 25 June 2012

Friday, 15 June 2012

Cheryl Outselling Bieber On New Album Pre-OrdersChezza's LP has notched up double the amount of pre-orders on Amazon UK...


Cheryl Cole's third solo album A Million Lights is currently outselling Justin Bieber's latest effort Believe in pre-sale orders.


According to Digital Spy, the Girls Aloud star's LP - which already boasts of new single Call My Name - has racked up double the amount of pre-orders on the Amazon UK store, compared to the 18-year old's record.

My Love Affair Announces The Release Of Justin Bieber's Intimate Live@Home Performance On June 18th


To celebrate his comeback to France, Justin Bieber's Live@Home will be released on June 18th and will feature Justin Bieber performing live songs from his upcoming new album Believe.
The monthly web program Live@Home is the first web music program created to allow the world's best artists to come and perform in a beautiful house in Paris. These intimate performances are taped without an audience and are aimed at making artists feel like they are at home.
Since the show launch in 2011, as the first entirely brand funded music programming, artists from all over the world have recorded their own Live@Home including; James Blunt, Jamie Cullum, Maroon 5, Pharell Williams, and others. Chanel, L'Oreal, Sephora and Microsoft were amongst the first brands to align with this model and partner with Live@Home.
After an exclusive December 2011 Live@Home at the Eiffel Tower with Johnny Hallyday (who sold more than 150 million albums worldwide), Live@Home is thrilled to continue the success with Justin Bieber's segment.
Justin Bieber's performance took place at the top of one of Paris's most incredible skyscrapers, where he performed songs including the hit single Boyfriend. A teaser trailer of Justin Bieber's performance is available at LiveAtHome.tv where the full performance will be released on June 18th.
For more updates on this upcoming release and news on future performances follow @Live_At_Home on Twitter.
A few words on Live@Home...
Live@Home is the first web music program created to allow the world's best artists to come and play their songs in a beautiful house in Paris. These intimate performances are recorded without an audience, aiming to make artists feel at home. Once every three months, Live@Home moves to an exceptional location for other intimate performances.
In 2011, My Love Affair, the music marketing agency aimed at bringing brands and artists together through communication campaigns co-founded by Cathy Guetta and Raphael Aflalo, took a 50% stake in Live@Home and is now also liveathome.tv's exclusive media reseller.
SOURCE My Love Affair
Copyright (C) 2012 PR Newswire. All rights reserved 

Justin Bieber - Justin Bieber Happy His Fans Never Say Never


Justin Bieber loves the fact his fans live by his ''never say never'' saying and always strive for what they believe by being ''persistent'' and not giving up.
Justin Bieber loves the fact his fans live by his ''never say never'' saying.
The 'Boyfriend' hitmaker - who has a song and a concert film called 'Never Say Never' - is often preaching to his supporters that they should always strive for what they believe in, and he is delighted to see that they are ''so persistent'' and ''never give up''.
The 18-year-old singer - who refers to his fans as Beliebers - said: ''The best thing about my Beliebers is they're just so persistent and they don't give up and that's what I love.
''That's what my message is, 'never say never' and so the fact they live by that and never give up, I love that.
''I would just tell them to believe in themselves, you know, in their dreams and believe in general. I think that they should just believe.''
Justin - who has 23.3 million followers on twitter - still gets shocked when he hears that some of his Beliebers have got tattoos of his name, but he thinks of his fans as the best in the world.
He told MTV News: ''There's some Beliebers, they get tattoos of my name and stuff like the other day there was a girl got a tattoo of my name on her side.''
''On a scale of 1 to 10, my Beliebers, they're a 10 for sure I mean, yeah I can't give them anything less.''

CD reviews: Justin Bieber, Kenny Chesney, Metric, Veronique Gens


Believe
Justin Bieber 
(Schoolboy/Island)
Justin Bieber takes a ton of abuse. Nobody’s crying for him: He’s got millions of adoring fans and come Tuesday, the release date for his latest set, "Believe," he’ll likely have another million seller. But something about this kid — who, at 18, is no longer much of one — elicits violent reactions from those who haven’t yet fallen for his silvery falsetto and his gentle schoolyard seduction anthems.
His too-angelic demeanor is definitely part of it, and lack of risk of his creative choices is another. But he also faces scorn from lazy listeners who insist that he is prefab.
He’s not. Bieber writes music and plays various instruments capably enough and, as "Believe" demonstrates, has weathered his voice change with his sprightly tone intact. Bieber-haters are going to have a difficult time running down "Believe," a slick, assured, state-of-the-art modern pop album that pairs the star with a roster of terrific producers, many of whom are practiced hands at innovative radio-rap and crossover R&B: Hit-Boi, Diplo, Bei Maejor and others.
There are missteps. As you might expect from an album by an artist growing up in public, some of "Believe" is awkward. The good news is that you’ve already heard the biggest howlers. The whispered rapping on lead single "Boyfriend" and the attempt on that song to pick up a girl by comparing himself to Buzz Lightyear suggest that Bieber’s love-man game is still very much in development (if you thought it was annoying when Tyler, the Creator called himself "swag" over and over, you’ll be twice as chafed when Bieber does it). An attempt to inject fashionable dubstep into "As Long As You Love Me" drags Bieber into inorganic territory he can’t inhabit comfortably, although he sounds no more out of place than Madonna does on "MDNA."
The Nicki Minaj cameo on the otherwise fine "Beauty and a Beat" is predictably scenery-chewing, but it’s hard to blame Bieber for that: Recently, bad Minaj cameos have been a general blight in the forest of pop.
But the core of "Believe" is a mid-album stretch that doesn’t try to force Bieber — whose best mode is doe-eyed throwback crooner — to split time with others, bring sexy back, or keep up with the Joneses. "Die in Your Arms," co-produced by veteran Rodney Jerkins, samples the Jackson 5 and beats Bruno Mars at his finger-snapping, sock-hopping game. "Fall" is a gauzy lite-radio power ballad in the Jon Secada style, and Diplo smooths his usual quirkiness to make "Thought of You" an exercise in high thread-count dance-pop.
Best is "Catching Feelings," the sort of breathy, moonlit semi-acoustic number that Babyface used to pitch to Boyz II Men. Here, Bieber is entirely in his element: a lost member of New Edition channeling the thrill of first passion.
Eventually, Bieber’s going to have to branch out. But "Believe" is miles better than his debut, "My World," and ought to firmly establish him as what he was always meant to be: a reliable, respectable, safe pop star, nothing more and nothing less.

Pop’s Good Boy Tries Growing Up


Just how fast is Justin Bieber allowed to grow up? And how much? Mr. Bieber, the defining teen star of recent years, turned 18 in March and has been in the public eye for almost four years, long enough to begin chafing. His desire to move in the world as an adult is palpable, but the very scale of his celebrity exacts its own sort of toll. Mr. Bieber can be his own man, sure, so long as he continues to belong to everyone else too.
Multimedia

Slide Show
Justin Bieber Grows Up


Breaking news about the arts, coverage of live events, critical reviews, multimedia and more.
Go to Arts Beat »


A sortable calendar of noteworthy cultural events in the New York region, selected by Times critics.
Go to Event Listings »
Enlarge This Image

Henning Kaiser/European Pressphoto Agency
Mr. Bieber performing on the television show “Germany’s Next Topmodel,” in Cologne, this month. More Photos »
As much as Mr. Bieber is pop music’s teen prince, he is also one of its victims. Mr. Bieber is in the difficult position of having a tremendous amount of capital to spend and only a few acceptable ways to spend it. He’s an R&B aspirant trapped in a pop universe, and subject to its whims.


A pop star at his level has fewer options than you’d think. To make an album somehow out of lock step with the sounds of the day, and potentially come off as misdirected — or maybe worse, too forward thinking — would be to risk leaving food on the table. By that measure “Believe” (RBMG/Island) — his second full-length album, which is to be released on Tuesday — is gluttonous, full of savvy compromises: between Mr. Bieber’s natural gifts and the exigencies of radio; between warm, intimate vocals and music designed for arenas and nightclubs and arena-size nightclubs; between Mr. Bieber’s beloved R&B and the dance-oriented pop that’s currently in vogue.


His first full-length album, “My World 2.0,” was R&B at its core, only occasionally deviating from theme. But the rise of pummeling dance music as a mainstream aesthetic leaves Mr. Bieber, whose voice is sweet but not rickety, in an awkward position. Suddenly he has to find a way to mesh his delicate voice with music that’s designed for subwoofers and Red Bull cravers.


He’s tried this before. Singing the hook of Far East Movement’s dance-rap club anthem “Live My Life,” which was a hit this year, Mr. Bieber sounded bored, stripped of his beloved melisma, his gentleness no match for the song’s relentless synthetic thump.


It’s telling that “All Around the World,” the first song on “Believe,” opens with a synth progression that could have been lifted straight from an Afrojack or Laidback Luke production. And this on a song that features Ludacris. Again, Mr. Bieber is buried in the mix, and it appears the album might get away from him in a swell of concessions.


But that’s followed by “Boyfriend,” the first single, which shifts gears radically, and impressively. Spooky and minimal, it’s Mr. Bieber’s formal coming-out party as an adult: hip-hop buzzword filigree, his dampest sounding vocals and whispered come-ons that most recall the naughty Ying Yang Twins hit “Wait (The Whisper Song).” Erotic and also cheerily naïve, it was the perfect statement for a young man learning to behave like a grown-up in the public eye, making for one of this year’s most electrifying singles.


Those are, in essence, this album’s poles, the two impulses it needs to reconcile. Sometimes it takes on both at once, like on “As Long As You Love Me,” in effect a dubstep love song, with Mr. Bieber reaching into falsetto at points without losing power, and showing restraint at the chorus, laying out the obstacles that love can overcome: “We could be starving/We could be homeless/We could be broke.”


“Take You” also vacillates between up-tempo R&B and dance music theatrics, rendering Mr. Bieber all but anonymous.


But there are several places on this album where Mr. Bieber strips away that artifice and leans on his instincts, spotlighting his best self. “Believe” is a king-size ballad where he sings unfettered: “There were days when I was just broken, you know/There were nights when I was doubting myself/But you kept my heart from folding.”


That’s matched in intensity by the sun-dappled teen-crush soul of “Catching Feelings” and “Be Alright,” a guitar-driven number that recalls the Tony Rich Project, the underappreciated neo-soul classicist of the mid-1990s.


These are this album’s high points. And while Mr. Bieber and his producers — who include Rodney Jerkins, Adam Messinger and Nasri — largely find ways for him to work within a dance music framework without violating his soul principles, he still sounds more distant and less comfortable in those places.


This album’s most dance-oriented and least successful moments illustrate just how hard it is for one artist, even one with the impact of Mr. Bieber, to shape the sound of pop music alone. He’s a big wave, but he’s not the whole ocean. And besides, the real experimentation and innovation is happening on the female side of pop, in the music of Katy Perry, Kesha and Rihanna. Mr. Bieber is moving slowly by comparison — and given where his strengths lie, wisely so.


The recent resurgence of boy bands notwithstanding, it remains an extraordinarily starved environment for young male pop stars. Mr. Bieber has the turf almost wholly to himself. Granted, a certain percent of his appeal comes down to pure hormones; he could release a country-meets-trance album and not alienate many of the young, female fans who are lining up to buy his posters and his fragrances too. But the screams are so loud they virtually block out the singing altogether.


Which is a shame, because Mr. Bieber is developing into a gifted vocalist, far less reliant on technology than he was two years ago. His voice is limber and wounded, more credible when begging or retreating, as on “Fall” and “Right Here,” than when aiming to steam up the room, as on “Out of Town Girl.” And his falsetto consistently connects. He’s confident enough to weave a boast about it into the lyric of “Boyfriend”: “I dunno about me but I know about you/So say hello to falsetto in three, two,” which is then followed by an angelic, tender serenade. Many of the best songs on “Believe” are young-love ballads, the sort that would have been credible for Mr. Bieber even a couple of years ago, though he might not then have had the voice to deliver them properly.


And so Mr. Bieber is not yet fully grown, and in his real life, he’s been doing his best to maintain at least a veneer of young-person normalcy. His hair, which formerly suffocated his forehead — giving him a signature look he couldn’t shake — is now mostly swept up and back, in the manner of most young bros. When the paparazzi catch him out with his girlfriend, the singer-actress and former Disney star Selena Gomez, they’re doing frustratingly normal things: eating Subway in a park, or picking up Chick-fil-A at the drive-through (though at least he’s driving his new chrome Fisker hybrid sports car, an 18th birthday gift from his manager).


The last male teen-pop star who matured so publicly was Justin Timberlake. But he had more armor: he was emerging from a boy band, ’N Sync, and he didn’t release his first solo album until he was 21. That album, “Justified,” not only established Mr. Timberlake as an adult, but also was a landmark pop album, at the outset of the moment when hip-hop producers began to make records for pop stars. Mr. Timberlake was setting pop’s agenda.


Mr. Bieber doesn’t have Mr. Timberlake’s backbone, or his experience, or his raw talent for that matter. So, perhaps wisely, he’s looking elsewhere for models of how he can publicly mature. Actually he’s aiming higher, conjuring perhaps the biggest and most conflicted teen star of all time, Michael Jackson. Jackson is sampled outright on “Die in Your Arms,” which borrows its loose jangle from “We’ve Got a Good Thing Going,” from the album “Ben,” released when Mr. Jackson was just 13. Mr. Bieber hones his vocals into a constrained yelp here, a sound that’s decidedly Jackson-esque, and not nearly as smooth as Mr. Bieber’s typical vocal approach.


But the real wink comes on “Maria,” the final bonus track on the deluxe version of the album. Last year a woman named Mariah Yeater accused Mr. Bieber of being the father of her child. It was the first true adult scandal for Mr. Bieber, who’s never had to project the outright sexlessness of his Disney-raised teen pop peers, but who was nevertheless still a teenager when the charges landed, and no tabloid regular.


The accusations have since been rescinded, but Mr. Bieber uses the situation as grist for “Maria,” the most aggressive song on this album, and one that self-consciously uses Jackson’s paranoiac “Billie Jean” as a template. Over a sinister and bouncy Rodney Jerkins beat Mr. Bieber sounds aggrieved: “This girl she wouldn’t stop/Almost had to call the cops/She was schemin’.”


Mr. Bieber doesn’t quite have the gravity that Mr. Jackson did when he released “Billie Jean,” at 24, on “Thriller,” his sixth solo album, deep enough into his career that he’d doubtless been the target of countless schemers. But still he sounds credibly charged here, the only song on this album where he abandons his familiar vocal caress and still sounds comfortable.


It’ll take a few more years, and a few more conflagrations, before Mr. Bieber can make that angst the core of his music. For now, his only real battle is with the beat.

Justin Bieber "Still Needs Guidance," Manager Says


Justin Bieber is definitely making a more mature musical statement on his June 19 release, Believe. However, his manager notes that just because the 18-year-old sounds older, doesn't mean that the baby bird is ready to leave the nest just yet.
"Adult artist? Just because he's legal now doesn't mean he's an adult," his manager, Scooter Braun, told Billboard about the growing pop star. "He still needs guidance; he's still finding his way. He's no longer a boy, but he's definitely not yet a man."
During the interview, Braun also notes that Bieber has more pressure on him than pop stars before as he has come up in the digital age. He added that he's essentially a one-man boy band who can't rely on the support of other group members.
"No one in the history of the world has ever grown up with the pressure that he has, being a solo artist that young, that famous, in a world with technology that exposes us 24/7," Braun adds. "He was literally going through puberty in front of the entire world, with everyone expecting something from him and a lot people waiting for him to screw up. He's a fighter. I'm proud of him — how's he's stayed true to himself and taken control of the entire situation."
The singer himself recently opened up about his public image and how he always feels guarded in interviews. "I mean, I keep my guard up a lot, because you know, you can't trust anyone in this business," Bieber told the June issue of GQ. "That's what's sad. You can't trust anybody. I learned the hard way."
And given his busy promotional schedule, Bieber will have a lot more interviews to give in the coming weeks. He is traveling the globe promoting the release. He's already made stops in Oslo, Norway, Paris and Mexico City, among others, and this week touches down in New York City where he will appear on the "Today" show.

Justin Bieber Helps Matt Lauer Join Twitter; Ben Affleck Also Now Part of the Social Media Network


If you're looking to gain a major number of followers on Twitter, who better to ask for assistance than Justin Bieber, right?


That's just what Today show cohost Matt Lauer did on Friday morning when the pop star stopped by the NBC program.


After explaining that he had just signed on to Twitter the day before, Lauer wondered if the Biebs would be kind enough to send out a tweet under his handle @MLauer for him.


MORE: We Like This—Ben Affleck Joins Facebook!




PlayBiebs Breaks Silence on Paternity Scandal


PlayBig Apple Braces for Bieber Fever


PlayJustin Bieber Shows Off British Accent
While Lauer tried to tell Bieber what to type, the 18-year-old singer playfully took it upon himself to write, "Hello. Everyone go buy Justin bieber's album #believe coming out June 19th."


Soon after, Lauer was trending rapidly. He picked up about 34,000 followers in just nine minutes and, as of this writing, he's already over 100,000!


"Bieber's power!" Lauer tweeted (all by himself) a little later.


Indeed.


Meanwhile, Ben Affleck, too, joined Twitter this week.


The actor/director decided to do so as a way of promoting his appearance with Secretary of State Hillary Clinton at a conference in Washington D.C. yesterday. The conference was designed to raise awareness for an initiative aimed at ending preventable child deaths in the Democratic Republic of Congo and around the world.


Not surprisingly, Jimmy Kimmel couldn't help but express his joy after learning his pal was now part of the social media site.


"Be still my heart...@BenAffleck is on twitter," the late-night talk show host tweeted.


"Thanks @jimmykimmel - be kind. I'm new," replied Affleck.






Read more: http://www.eonline.com/news/justin_bieber_helps_matt_lauer_join/323758#ixzz1xtLJNIZM

Sunday, 10 June 2012

Justin bodybuilder

Justin bieber is taking training from talkartna kolhog for bodybuildin and he is very excited for his new looK.                                 MORE PICS =

Bieber Fever' more virulent than measles Study into infectious diseases uses pop-star example


Bieber fever is more infectious than measles, capable of spreading effortlessly to children in far flung parts of the globe, a new study suggests.
The work, by researchers who use formulas to predict the spread of diseases, suggests Bieber fever may be the most contagious disease of our time, able to infect and re-infect a generation of children. And mathematical models predict it may not abate any time soon.
In fact, only a strong dose of the Lindsay Lohan effect - sustained negative publicity - is likely to extinguish the widespread obsession with musical megastar Justin Bieber, according to the University of Ottawa authors.
"Tabloid journalism may be our last best hope against total apocalyptic infection," warn master's student Valerie Tweedle and her professor, Robert J. Smith? (that's not a typo, the question mark is part of his name) in a chapter in an upcoming book, Understanding the Dynamics of Emerging and Re-emerging Infectious Diseases Using Mathematical Models.
Symptoms of Bieber fever include uncontrollable crying and/or screaming, excessive purchasing of memorabilia, distraction from everyday life and poor life choices, such as copying Bieber's signature hairdo, their study suggests.
"Through constant exposure, Bieber fever has incubated and spread. Millions are already infected, with more at risk every day. Action is urgently needed," the authors say, tongue-in-cheek.
The study is a real modelling exercise, with the phenomenal growth in Bieber's popularity - as evidenced by Twitter mentions and Google searches - used as a stand-in for the way an infectious disease spreads. Tweedle's original work, on which the chapter is based, helped earned her an A-plus in Smith?'s class.
But the two aren't suggesting the world's youth - or their parents - need to be protected from the Ontario-born star. Nor are they advocating bringing down the baby-faced "Baby" singer with a plague of nasty headlines.
In fact, elsewhere in the study they warn that what has kept Biebermania at a fever pitch is a pulsing pattern of publicity: an attention-generating event like a CD release or a new haircut, followed by a lull, followed by another development to bring the 18-year-old back to the media forefront.
The work suggests all Bieber, all the time would probably lead to Bieber burnout.
"If he's on every magazine cover every month and so on, what eventually happens is of course people say 'Ah, I'm bored of Bieber. He's just everywhere,"' Smith? explains.
"Whereas if they stagger it and so you have a burst of publicity and then you let it breathe for awhile and then you have another burst, in that way you can sustain some-thing that would otherwise die out -almost indefinitely.
"Obviously it's not formally a disease, but it has the hall-marks of a disease," Smith?, who changed his name, legally, to stand out from the hoards of Robert Smiths out there, says about The Fever. "And so it behaves the way a disease would."
Case in point: Smith? recently visited a friend's elementary school classroom, where every single nine-year-old knew of Bieber and all but one liked him.
He also spent some time in Senegal in April, teaching master's level mathematics to students from across Africa. All his students there knew Bieber as well.


DIPLO TALKS COLLABORATING WITH JUSTIN BIEBER AND NO DOUBT


When Fuse's Dan Brown chatted with Major Lazer at Bonnaroo 2012, DJ/producer Diplo (one half of the dancehall duo) shared his recent experiences of working with No Doubt and Justin Bieber on their respective upcoming albums.


"The craziest thing about Justin Bieber is that the kid is really good at everything. He's really good at ping pong, the kid can rap, he has awesome hair, he's super cool and super nice," Diplo says of the international heartthrob in the above video. "We did like four or five ideas [with him but] only one made the [Believe] album… We're lucky I got a record on the album… I hope the other records see the light of day."


As for his upcoming tour of Canada by train with Skrillex, he shares the story of why he agreed to that strange idea. "We got really drunk at Sasquatch last year and he asked me about it, and I was like, 'Yeah totally!' And then I actually saw it on my schedule a year later."


He also gave us the skinny on the song he did for No Doubt's upcoming album. "I'm a huge fan of No Doubt," Diplo says in the video below. "We completed the record about a month ago—it sounds like a single for the album. It's called 'Push and Shove,' No Doubt featuring Major Lazer. I did my first remix ever for 'Hollaback Girl'… so big shout-out to Gwen Stefani for letting me do that back in the day."


Diplo also talks about producing Snoop Dogg's forthcoming reggae recording and working with rapper Riff Raff—plus he gives us a progress report on the Major Lazer cartoon he's making for Adult Swim. So to hear all that, click the video above. And head over here for our complete coverage of Bonnaroo 2012, including interviews with performers, photo highlights and news about the fest's biggest surprises.

MILEY CYRUS Wedding, Talks Love and *ex, Getting Married to Liam Hemsworth!


Miley Cyrus is engaged. The former Disney star is getting married to long time boyfriend, Liam Hemsworth. Will our Sagittarius girl plan a big country wedding or something more fancy in Beverly Hills?
Although, Miley is still a young girl, she definitely has found her soulmate with Liam. Her parents, who are thrilled about her pending nuptials, have only positive comments about their future son in law.
Miley Cyrus, a Sagittarius girl may be a free spirit, but she definitely respects her body. In a new interview, she talks about love and sexy, she says: “The girls that really base how much they’re worth on the sexual favors they can do for somebody, that makes me really sad. Because sex is actually really beautiful. It’s the only way we create, and it’s the only way the world keeps going. So it’s ignorant not to talk to your kids about it or [not] make it seem as magical or cool as it actually is,” she explained. “[Kids] have a TV, so they know what sex is. So educate them and let them know … it’s a beautiful thing, and it is magic, and it’s when you connect with somebody. And it isn’t how much you’re worth. Your worth isn’t based on that, your worth is based on how you feel about yourself.”
Astrologically speaking, what does the future hold for Miley and Liam? Born under the sign of Sagittarius, she definitely would want her wedding to be a fun celebration. She may lean towards a country celebration and her future husband, Liam Hemsworth, will give his bride anything she wants. Lucky for him, Billy Ray Cyrus, will be stuck with the wedding bill.
For Liam Hemsworth, who is born under the sign of Capricorn, definitely has a practical side. Miley brings more excitement to his life and he helps her stay grounded. He probably has a fatherly approach, who wants his girl to settle down. Astrochicks wouldn’t be surprised if they started having babies right away.
When it comes to picking the wedding date, we would suggest they wait until late 2013. The cosmos will be aligned to bring the couple lots of love and happiness. Congrats to Miley and Liam!

Mexico City Police Officials Plan Ahead For Justin Bieber Chaos


Mexico City police officials are on high alert in preparation for Monday's Justin Bieber visit.

The crowd limit for the Central Plaza free concert has been set at 80,000, but local officials fear hundreds of thousands of fans will turn up for the show.

Reports suggest 6,000 police officers will patrol the event and attempt to control the crowds, while others will oversee the gig from police helicopters.

Giant screens have been erected in streets near the concert site, so that fans who fail to get access to the actual music venue can still watch the Baby hitmaker perform.

Bieber's most recent whistle-stop promotional trip to Europe suggests the police officials are wise to be prepared for fan chaos on Monday - the pop idol was mobbed by fans in Norway, France and England.

This news article provided by World Entertainment News Network
Photo Credits: Away! / PR Photos

LISTEN TO JUSTIN BIEBER’S ‘BELIEVE’ SNIPPETS


OMG Beliebers! We have the best news in, like, ever for you. Snippets of the songs on Justin Bieber‘s ‘Believe,’ which drops on June 19, have been posted online. You get to hear about 30 seconds of each song — there are 13 in all — and it’ll get your blood pumping for the full swaggy album to finally drop.
We’ve listened to each track and offer a short commentary on what we heard. The album sounds like it’ll be veryMichael Jackson-like, comprised of synthy pop jams, lots of falsetto, acoustic ballads and the requisite swag, swag, swag.

Justin Bieber causes more fan chaos in Germany


300 screaming fans crowded outside the star's hotel in the German capital.
Pop star Justin Bieber is starting to become a bit of a security nightmare, with mobs of fans causing chaos wherever he goes.
The youngster’s latest scene of mayhem happened in Germany when the star was greeted by 300 screaming fans outside the Ritz Carton in Berlin, the majority of them being teenage girls desperate to get a glimpse of their idol.
This is the second time in a week that the star has caused a security risk after hundreds of fans in the UK stormed ITV’s studios in London when the Bieb arrived to appear on Alan Carr’s “Summer Specstacular”.
Talking to the Sun at the time, a source said, “It was genuinely scary. They're only teenage girls but they were hysterical and had just one thought on their minds - to see Justin Bieber. It was pandemonium."
Perhaps they should bubble wrap the boy and pack him in a box out of the way somewhere. Couldn’t do any harm could it? I’m sure he wouldn’t be missed too much. It would also protect him from any further interactions with glass doors.

I`m too old to collaborate with Justin Bieber, says Chris Martin

London: Chris Martin has ruled out collaborating with Justin Bieber because he’s scared that the teen idol will make him look old. Martin said this before his band ‘Coldplay’ set at the Wembley Stadium event, where they performed at the Capital FM Summertime Ball in front of 80,000 fans.

“Rihanna was top of our list of collaborators, and we’ve done that. She was lovely - she was cool,” a leading daily has quoted the singer as saying.

“We’d work with anyone who wanted to work with us. But Justin Bieber is too handsome for us. If he wants to do a video with four people who look like his grandparents then we should be in it. But we’ve got to look good. We’d just look terrible next to that guy. He’s good-looking and has an amazing complexion,” he said.

Martin carried his inferiority complex on stage, when he shouted out to the crowd, “We’re Justin Bieber’s dads.”

Before they played their hit ‘Charlie Brown’ under blazing sunshine Martin shouted out, “Are there any Beliebers out there?”

Martin also joked before the group’s six-song set that they were only going to play Bieber covers. However, Martin does have one thing in common with the youngster – he stuffed himself with sweets before the gig because he said he needs the sugar rush for stage performances. 

Bieber trapped in elevator with fans

Justin Bieber had a hair-raising moment when he was trapped in an elevator for 20 minutes backstage at a concert in London on Saturday.


The Baby hitmaker was on the bill for the Capital FM Summertime Ball, but he was thrown into a panic when an elevator he was travelling in with several fans jammed.


A source tells Britain's The Sun newspaper, "The girls couldn't believe their luck to be stuck there with him. They were sweating and nearly fainting with Biebermania before they got out."


But the mishap failed to prevent Bieber from wowing the crowd when he finally took to the stage at Wembley Stadium, where he performed a hits-packed set and even called fellow Canadian singer Carly Rae Jepsen onstage to duet on her hit Call Me Maybe.


After his performance, Bieber paid tribute to his fans, telling radio station Capital FM, "It's crazy, I mean, just to have the fan base. You know, going out there and seeing 80,000 people, and half of those people have my sign up! It's crazy!"